原創(chuàng)《沉香之戀》
案 名：《沉香之戀》
設(shè)計(jì)公司：原廣東省梅州市瀾庭設(shè)計(jì)工作室、現(xiàn)四毛空間設(shè)計(jì)有限公司
設(shè) 計(jì) 者：毛毳
參與設(shè)計(jì)：毛毳
攝 影：毛毳
空間性質(zhì)：住宅
設(shè)計(jì)時(shí)間：2010年6月10號(hào)
完工時(shí)間：2010年12月1號(hào)
面 積：165平方
主要材料：噴砂玻璃,藝術(shù)玻璃，白鏡，花梨木. 石膏板，乳膠漆，墻壁紙
坐落位置： 廣東省梅州市江南帝景灣威尼斯3號(hào)702房
設(shè)計(jì)說(shuō)明：
把味覺(jué)視覺(jué)統(tǒng)一在一種感受下是本案的追求，花梨木的沉穩(wěn)古色用現(xiàn)代手法去打造，要保留那份木質(zhì)的原味又要有現(xiàn)代氣息的張揚(yáng)，在本案達(dá)到了這兩個(gè)標(biāo)準(zhǔn)，看看那其中感覺(jué)是不是會(huì)讓你在嗅覺(jué)間流離著一份木香，在很多案例中把新中式定義成繁瑣復(fù)雜的裝飾辦法漫天滿地的鋪張符號(hào)，可能大部分人都會(huì)在這樣的案例中才會(huì)覺(jué)得能嗅到木香，但是在我的案例里你是嗅不到的，因?yàn)檫@個(gè)味道是通過(guò)眼睛去嗅，是保留在腦子里的味道，暖色與冷色間的過(guò)度，重感與輕巧的銜接每一個(gè)關(guān)系都在相互矛盾切存在著，但是又不會(huì)讓整個(gè)空間失衡，這就是我要找的東西。在去攝影的時(shí)候我深深感覺(jué)到一種拍攝不出的感覺(jué)，這個(gè)感覺(jué)是一個(gè)矛盾和銜接的不同感覺(jué)，可是怎么都表達(dá)不到相片之內(nèi)為此也屬遺憾，但是如果能把一個(gè)案例做到親臨感受是無(wú)法用相片表達(dá)的時(shí)候那就是成功。
The taste in one kind of feeling visual unity under the pursuit of is this case, hua limu composed with the modern techniques to create color, want to keep that copy of the raw ingredient of wood and modern ambience make public, in this case to the two standard, look at that one will let you feel is in between an internally smell sweet, in many cases the definition of new Chinese style into the complex adornment method of extravagance and symbols on the sky, may be most people will in such cases to feel able to smell sweet, but in my case are you smelling, because the taste is through the eyes to smell, keep in mind is the flavor, warm color and cool color of between excessive, heavy feeling and the cohesion and every ties in contradiction there are cut, but won't let whole space imbalances, this is I want to find something. When I go to the photography deeply feel a kind of shooting a feeling, the feeling is a contradiction and the integration of different feeling, but how all expression within less than photos for this also is regret, but if you can take a case to do feel is unable to use the expression that is when photos success.
原創(chuàng)《沉香之戀》
案 名：《沉香之戀》
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